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Support of the Met

There are a variety of ways to get involved with the Met.

Since its inception in 1893, the purposes of the Metropolitan Opera Club have been to expand understanding and enjoyment of opera and other vocal music, encourage and support operatic and musical performances, support the Metropolitan Opera, and foster camaraderie among its members. Means of support include the Production Fund, contributions to specific productions, projects such as the Gold Curtain Fund, and members' annual contributions.

  • The Production Fund
    • To participate in the Metropolitan Opera's $100 million Centennial Fund, the Opera Club established the Metropolitan Opera Club Production Fund, the income from which is allocated annually to specific productions at the Met, for which routine financing might not be available. As a result of the generosity of Club Members the Fund is now valued in excess of $1,000,000.

  • The Gold Curtain Fund
    • The resplendent Scalamandre silk Gold Curtain that graces the Auditorium was a gift from the Club membership to the Metropolitan Opera Association, celebrating the MOA’s twenty-fifth anniversary at Lincoln Center. The Club membership contributed more than $500,000, permitting an endowment to be established as an ongoing replacement fund, the balance of which was applied to the new Gold Curtain installed in 2005. Longtime members of the Club will recall the Club's gift of the 1979 Gold Curtain and are proud of continuing tradition.

  • Purchase of Tickets
    • When the Vaudeville Club leased the Omnibus Box in the Metropolitan Opera House for the 1893-1894 Season, it was, in effect, guaranteeing the opera company substantial ticket sales for the season. For over a century the Club has made similar commitments. In recent years ticket sales have generated approximately $500,000 dollars annually. Member participation in new production benefits and Opening Night make further contributions to the Metropolitan Opera Association. The Club provides a ticket service for all Club members for all performances offered in the Opera House.

  • Special Contributions
    • In 1976 the Club was approached for a special contribution for a new production. The Club accepted the challenge and raised half the production costs of a new production of I Puritani. The following year, responding to a similar request, the Club contributed half the production costs of Lulu. Since then, the Club has made significant contributions to Faust, the Ring Cycle, Un Ballo in Maschera, Les Contes d’Hoffmann, I Lombardi and others.

      Many Club members who were not Metropolitan Opera Patrons when they joined, were introduced to the needs of the Association through the Club. A substantial number of Club members figure in all categories of Association support. The Club fosters support of the Association by maintaining a unique place that contributes to its members' enjoyment of opera.

  • Annual Contributions
    • In addition to other contributions that members make to the Association, every member is expected to make an annual contribution to the Association in an amount determined by the Board.